I Witness - "The Word" A soundtrack for the new normal

One of the best things about writing a blog is that every so often you get to talk about music that the rest of the world hasn't heard yet. I Witness are Electronic artist Martin Byrne and poet Jason N Smith. The album was written and recorded over the last two years but sounds tailor made for the current unpleasantness.

The single "I am England" is scarily current.

While "I Am England" is the headline piece there are so many songs that force us to look at ourselves and our world and how we interact with each other and our environment.

Unstoppable

I am the paradise lost and paradise found

amongst bookshelves and  life’s cordite clouds.

When She Stopped Running

When she learnt to stop running

and turned to face an intricate part of herself

with wide open welcoming arms and embraced

big letter words written within her spirit saying come

Martin Byrne's music draws on his work as The Big Boss as well as reflecting his time in 90s industrial/electronica band Thule. Martin says that the motivation for getting back into creating music was hearing Vitalic at a festival, and that French vibe from Vitalic, Fakear or Miss Kittin is all over "The Word".  Elsewhere flavours of On U Sound, early Kraftwerk, and even Tackhead add a sense of menace to some of the harder messages. 

Those of us who supporrted the IndieGogo that funded "The Word" got demos of three bonus tracks included with our download. One of these "Stop and Research" is quite the most astonishing thing you will hear this year. I believe it has now been mixed for release. Hard to believe this was written and recorded months ago. "I'm going to make my speech here at the weekend, it's going to go up like a rocket, and stay up", hopefully I've transcribed that right, but it could be a mantra for this album. It is indeed going to go up like a rocket, and stay up.

If you only buy one download album this year make it this one.

Jason N Smith  - I Witness The Word on Amazon 

BUY & STREAM - I Witness  - The Word 

Hear Jason and Martin being interviewed by Kirk Pickstone HERE

The Magic of YMO

Kraftwerk get much of the credit for the rise of electronic music in the early 80s & beyond, but for me Yellow Magic Orchestra are at least as influential. Their career started with computer game noises and you can hear their influence in game soundtracks and woven into a diverse range of artists music. Between the bands own albums and the myriad related artists they are a collectors dream.

Wikipedia is fairly good for once on the history. One thing it does highlight is how many of their songs have advertising connections. Fuji cassettes, Seiko watches and Kirin beer are just a few brands that have had the YMO touch. One of their best known songs, "Behind The Mask" (yes Eric Clapton via Michael Jackson) started as a Seiko commercial in 1978. This a version recorded by Sakamoto with Jackson's lyrics.

Never heard that before, very Eighties!

Where Kraftwerk pioneered Techno, YMO started off as kitsch lounge/exotica practitioners and progressed to more dance synthpop based material influencing bands like Human League & Depeche Mode. Early adopters of the Roland TR808 & TB303, they got their shot with Afrika Bambaataa two years after he sampled Trans Europe Express and that introduced them to the Detroit crowd. From there YMO influences crop up everywhere, often second or third generation but there nonetheless.

My favourite YMO homage is on a Vicious Pink 12" from 1984. A Side "CCCan't You See" is fairly standard synthpop, the B side "8:15 to Nowhere" is pure YMO, and the cover of "Great Balls of Fire" would have been at home on a Takahashi solo disc of the time.

From YMO's group albums you inevitably get drawn into their solo albums, and from 1979 to about 1984 they can do little wrong for me. They played on a huge number of other artists albums, but I'm going to save talking about them, the band Japan, and acts like Akiko Yano & Sandii & The Sunsetz for another post as it is way too much for now. I will give a recommendation for Nicholas D Kent's comprehensive site Technopop which will give you plenty to investigate.  It hasn't been updated in a while but as an archive you can't beat it

Where to start with their music?
My favourites are Solid State Survivor, home of Rydeen, Technopolis, and the original Behind The Mask and Technodelic, Kraftwerk lite synthpop with some innovative early sampling. Unlike the Dusseldorf crew* YMO were a good live band, Fakerholic, if you can find it is the best of their 1979/80 world tour, avoid 'Public Pressure' like the plague, Kazumi Watanabe's guitar replaced by extra synths - horrible. There are some good live albums from recent years, try them online & pick the one you like best. Compilations? YMO have been badly served there. 'YMO Go Home' & 'Kyoretsu Na Rhythm' are the best of an unsatisfactory lot.

Why choose YMO?
I love Kraftwerk but they can be a bit po faced & joyless at times. YMO are fun, they have a uniquely Japanese sense of humour that is frankly odd. If you get the Hitchhikers Guide To the Galaxy you will get YMO. If you listen to nothing else by them try ×∞Multiplies , but make sure it is this version , ignore the stupid Amazon reviews and get it. You will still be laughing in a week.

 
*Kraftwerk of the 80's that is, now they are different, the Manchester Velodrome is in my top 5 ever shows, but was it a live show or an experience?