Showing posts with label Americana UK. Show all posts
Showing posts with label Americana UK. Show all posts

Thursday, 31 December 2020

Let's not go there...

With all the year stuff I mean. This is a virus free zone, and I'm happy in my little bubble (damn nearly mentioned it there)...

The last couple of weeks of the year were stupid busy for work, so I've not done a proper end of year review, again. I think I gave the same excuse last year. Anyway I've done plenty of rounding up elsewhere amongst other things I can point you at for satisfying new year reading. 

 First up my review of the Americana year over at AUK. You can read that here. I kept up the fire on the streaming services, and talked about Bandcamp, again. Also some great albums. Jack Henderson's was fab, but was beaten by a whisker to Americana album of year by Emma Swift's 'Blonde on the Tracks'. You can read the whole team's choices here. Alec Bowman wrote a piece explaining all the stuff I've been going on about from the artist's point of view for AUK as well. Read it here and turn your back on Spotify in 2021. 

Over at Duggystone Radio I talked about December, normally a time for stocking filler compilations, which has turned in some cracking music this year. You can read my views on McCartney, Swift, Kim Edgar and Magic Dance, the latter two I've championed before and have turned in the best albums of their careers so far.

The one album that didn't get a mention in all this that has been my most played since its release is Blue Note Reimagined. London Jazz News summed it up as well as I could. It also provides pointers to the original versions. The dominance of Wayne Shorter is interesting with 5 of his tunes covered. Following my February "Giving Snobbery the Byrd" piece, the 70s get a good look in as well, although I'm not sure I can take the credit there...

So, we're still here, and it has been the busiest year yet at 160gigblog. a third more posts than 2019, which probably means I had nothing else to do. If you have been thanks for reading, and those figures are up as well, and here's looking forward to whatever 2021 has to offer.



Monday, 28 December 2020

Over The Rhine - again!

Over at Americana UK, I've made my case for Over The Rhine being the best band in the world. This is not open to negotiation.



Thursday, 8 October 2020

Judee Sill

 


 I wrote about Judee Sill over at Americana UK. recently. For me she is one of the great unique voices in music. If you don't know her you should Read my piece HERE

Friday, 24 April 2020

Reviewing a review...


I reviewed the new Waxahatchee album over at Americana UK recently, and started a bit of a Twitter storm.

The fact that this album was being reviewed was at least partly because it had become an important release on the back of the hyperbole thrown around by The Guardian's reviewer. Katie Crutchfield (Waxahatchee herself) had stated that Lucinda Williams' Car Wheels on a Gravel Road, one of the cornerstones of Americana, was her primary influence for her shift towards Americana based music. Having been accused of negativity and for reviewing The Guardian review rather than the album, neither of which accusation stand up if you actually read my piece I felt a bit of explanation and defence was called for.

  • I gave the album a score of 6, if you go by the Pitchfork rating system this means: "Has its moments, but isn't strong" , negative would have been 4 or below and it wasn't that bad...
  • It wasn't me who made the comparison to Car Wheels on a Gravel Road, Crutchfield set herself up for that one. It would have been easy to rip her to shreds for it, I chose not to take the cheap shot. That would have been negative.
  • I simply wasn't hearing what other reviewers were hearing. I don't think it's very good and can't see myself listening to it again, ever.
  •  That makes my suggestion that it doesn't in my opinion match up to Car Wheels... valid. I have played that album regularly since it came out and don't expect to stop now.
Does my opinion matter? No, of course it doesn't. Any more than the opinion of The Guardian matters. Let's see what the view of Saint Cloud is at the end of the year.

The Guardian review

Americana UK review


Friday, 22 November 2019

Americana UK





I've had a couple of articles posted on this august portal recently.

In the "What Is This Americana Thing Anyway…?" thread I got my turn to reminisce, so pretty much what I do here then. 

Then I had a go at the A-Z of Americana, and picked Alison Krauss

And in a last plug the Americana UK awards are open for voting. I can't join in, but you can...


Tuesday, 11 June 2019

More reviews and a radio show



  I was lucky enough to review two really good albums recently over at Americana UK.

W.C.Beck's "First Flight" is fairly standard Alt.Country fare at first listen but reveals it self over time as a properly good album, no filler.

The star turn though is The Alvarez Theory's debut album. If this doesn't crop up on my end of year best of then there will be some truly great albums coming soon. Also the first LP record I have played in about 25 years. The Alvarez Theory, by the way, explains why the Dinosuars died out...

Lastly but by no means leastly Blairs Blues is a roots music show, Americana, Blues and the like, recorded twice a month in Bristol for a Canadian station. You can hear it on Mixcloud here. Blair Chadwick is a good chap to chat to about music as well so please support him.

With all this listening to Americana, I'm confronted by a truth about my music habits. I can't stick to any one thing for long, but the main theme of all this is tunes. I like a decent tune and at the moment roots music seems  to be providing that. The Prog I like is mostly of the shorter more song based variety (can't do ELP), so my new  comment if someone asks what music I like is "anything with a decent tune".

And then a friend persuaded me to try Tom Waits...

Sunday, 12 May 2019

Americana UK


I've just started writing for the website Americana UK. My first review was a Bluegrass album by Chris Jones and The Night Drivers. Find it HERE

 

Saturday, 8 April 2017

Over The Rhine Live in London


Busy busy at the moment. My review of Over The Rhine was published by Americana UK recently. If you read my piece on them you may find this interesting as well. Click HERE to read the review.



Saturday, 25 March 2017

Artist Choice Two: Over The Rhine

I discovered Over The Rhine on holiday in 2004. The CD that came with Paste Magazine contained 'Show Me' which was a good start but the magazine article, which I can't find online, was what hooked me. A description of the recording process and all round hymn of praise to their album Ohio. So my introduction to the band was a double cd lasting ninety minutes which Paste called "a true confessional masterpiece". Thirteen years later it is still towards the top of my most played on the iPod, joined there by albums older and newer, but all of them with the spark of musical greatness. 

Where to start? Over the Rhine have been at least two different bands, an early indie pop four piece featuring guitarist Ric Hordinski, whose album 'When I Consider How My Light is Spent' is also worth your attention. The collection from these years 'Discount Fireworks' is a good entry point, personally I also like the album 'Besides' that started life as a fan club disc, but has some real gems on it. The period from 'Good Dog Bad Dog' saw the band contract to husband and wife team Linford Detweiler and Karin Bergquist. Unashamed pop record 'Films for Radio' followed and then they found their calling with Ohio. A string of albums have followed in the subsequent years. The best place to learn about them is on the music page of the band site. There is also a good playlist that gives a flavour of what to expect from an Over The Rhine album.

If I have a favourite song (of any artist), then it is probably Latter Days. Reading the lyrics only hints at the epic quality of the song itself. A grandeur that reflects the best church music. "There’s so much more to life than words", not when they are sung by Karin there isn't. Listen to the song here.

Karin & Linford are gearing up for some new records and as with the last few are going down the fan funding route. This time they are offering three records. Read about them here and support the band in their enterprises. I have gone for the Hear It option, partly because of the ruinous cost of postage from the USA, and partly to hold onto money to spend on what I hope will be a well stocked merchandise stall at their show at Cecil Sharp House in London on April 2nd. Why isn't this sold out? How can they mange a whole tour in Holland and only one show in mainland Britain? Buy tickets here.

I would love to see a whole U.K. tour, and can think of many places, like St Georges Bristol, that would be ideal for them to play. But it needs support and a certain level of ticket sales to make it possible which in these days is a struggle for British artists let alone those taking a risk on crossing the Atlantic. I am just happy that after all the years following them I get to a show at last.

 So what do I suggest starting with?

'Good Dog Bad Dog' remains one of my most played albums. the download only live version from 2010 is also worth a listen.
Of 'The Live from Nowhere' sets I would go for Volumes 1 and 4 first, but you will want them all in time.
'Meet Me At The Edge Of The World' is going to take some topping I look forward to hearing them try.
Of the earlier albums I like 'Besides' and 'Eve'
Linford has a series of solo piano instrumental albums. I like 'Grey Ghost Stories' best. The piece  'Someday We'll Move To A Small Farm (And Sit And Watch The Snow Fall)' is typical of the autobiographical quality of the band's lyrics tipping over into his solo music. I'm pleased to say they did move to that farm.

I'm sure you will find your own favourites once the music starts to haunt you. The fact that the world still has a place for artists like Over The Rhine even if it is at or near subsistence level, means that despite the best efforts of our leaders this world is a place worth living in.